![]() Via the free Bandcamp app, plus high-quality download in MP3, FLAC and more. Includes unlimited streaming of Hyperspace Drifter 2 These extra fees are not covered in this order. He stated that he had a few things after concluding the. ‣ EU VAT + extra shipping costs may apply to all orders going into Europe. Hyperspace was first teased by Beck in a cryptic Instagram post where he uploaded the album cover featuring the title in katakana. Max of 4 vinyls can be bought per wholesale customer. All accounts/ purchasers must provide a valid tax id number, business name, address and wholesale license number. ‣ Hyperspace Drifter 2 Limited Edition WARPSPEED Vinyl is available for Wholesale orders at a discounted price. Hyperspace is, in Beck’s telling, an album about finding peace in the moment and, with its sparse electro arrangements and lyrics in search of relief from troubled times, it is an album. ‣ Vinyl will be shipped inside protective wrapping and padded with bubble wrap. ‣ Printed on 1 180g sexy PURPLE, PINK AND WHITE SWIRL effect with sleek finishing. ‣ It's Official.SEXY Purple, Pink and White vinyl swirl effect in limited 200 copies. ‣ Customers in UK/EU can also make thier purchases from HHV directly to avoid extra taxes. Still I’ll try/To get back home,” Beck promises like a man with one foot in the grave but the other still on the road to another day.MAXIMUM OF 2 LP PER CUSTOMER PLEASE! ANY ORDERS WITH 3 OR MORE VINYLS WILL BE CANCELLED! ) In addition to ‘Thinking About You’, those setlists will likely feature his recent cover of Neil Young’s ‘Old Man’, as well as cuts from 2019’s ‘Hyperspace’ album. It’s a finale of echo and choir but a blues all the same. In “Everlasting Nothing,” Beck is back in space with Williams. “Die Waiting” is starlit folk rock with a campfire-siren cameo by Sky Ferreira, and “Stratosphere” (featuring Coldplay’s Chris Martin) is practically garage rock: rough strumming in a plaintive glow. ![]() The keyboards in “Chemical” may sound like they’re on loan from Vangelis, but the acoustic jangle and finger-snap percussion bring the song to Earth. But Beck, for all of his vigor for partnership, is a solitary classicist, a singer-songwriter wrestling with the dynamics of desire and emotional commitment. Adele veteran Paul Epworth and producer Cole M.G.N., who worked on the Colors hit “Wow,” chip in too. Kurstin returns for “See Through” (with weirdly playful vocal choreography suggesting a boy band trapped underwater). The hip-hop auteur plays the totally Eighties synth sounds that frame the fleeting satisfaction in “Chemical” (“Found a love, just a fantasy/Beautiful and ugly as a night could be”), and it’s a good bet that Williams is responsible for the otherworldly gauze on Beck’s voice in “Uneventful Days,” which is like David Bowie’s Major Tom checking in from distant orbit.īeck spreads the work around. Williams is just as embedded on Hyperspace as co-producer, co-writer, and musician on seven tracks. He shared writing credits on Odelay with the Dust Brothers, his co-producers, and on 2017’s Colors with multi-instrumentalist Greg Kurstin. While Beck started as a lone ranger on the anti-folk circuit, his records are typically collaborative affairs. Produced mostly with Pharrell, his 14th album is a breezy song cycle that rarely rises. He explained to Q magazine: 'Before the asteroid would kill you, you could press hyperspace and go somewhere else. After a string of minor statements, Hyperspace doesn’t reignite his spark but it sheds a little light. In songs like “Die Waiting” and “Dark Places” (the titles tell you plenty), Beck combines the exuberant studio mischief of 1996’s Midnite Vultures with the sumptuous introspection of 2002’s Sea Change to eccentric, genuinely compelling effect. Hyperspace is a minimalist album named after a move in the video game Defender, which Beck played as a youngster. But that seesaw of antique blues and modern artifice sums up this album’s perfect storm - the raw fear of time running out and darkness closing in, rendered in pop beats and colors. Pharrell Williams, Beck’s chief accomplice on Hyperspace, drums in martial-funk time and speed raps like a digital assistant in a rush. Beck sings of great fire and flooding, praying for rescue in a strident android’s tone - like Skip James in Auto-Tune - and overdubbed layers of galactic doo-wop. Most of the song’s apocalypse comes in contemporary kicks. That is the Beck who jumps out here in “Saw Lightning,” in looping spasms of acoustic, skidding Delta slide guitar. Somewhere inside every album Beck has made since Mellow Gold - his 1994 surprise attack of slippery irony and hip-hop bravado - is the solo folk-blues singer caught on that year’s One Foot in the Grave, writing about despair with a surrealist edge while turned toward hope.
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